Roll Out The Barrell: Discovering the Huyton Cricket Club

Anyone who has been following our Twitter (@knowsleyarchive) posts over the past few months may have been bowled over by a sudden surge of cricket related tweets and images popping up on our timeline. As you may have spotted, the reason for them is because, thanks to our Heritage Lottery funding, I have been cataloguing and digitising the wonderful records of the Huyton Cricket and Bowling Club. Despite having always been stumped by cricket and my Dad failing to hand over his love of the game to me, this is a collection that’s really hit me for six (okay, okay, I promise that will be the last cricket pun).

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Huyton Cricket Club First XI, c. 1886

Huyton Cricket and Bowling Club was formed at a meeting on 7 May 1860, with their first match taking place just a few weeks later against Bootle Cricket Club and they would go on to become a successful club in the Liverpool and District Cricket Competition (as it would become known). Nicknamed ‘the Villagers’, they were moderately successful at different points in their history, with the early 1920s an especially triumphant period. The club was established as a ‘gentlemen’s’ club and during the majority of its history the membership would have been regarded as of a higher social status than some of the other Huyton cricket clubs, such as the Huyton and Roby Working Men’s Cricket and Bowling Club or Huyton Recs.

The records in the collection include committee minutes, some very colourfully decorated scrapbooks (see slideshow below), photographs from across the history of the club, fixture books, and correspondence. The minutes, particularly from the first eighty or so years of the club, are filled with tantalising glimpses of some of the intriguing characters involved in the club, on and off the field. They also offer fascinating insights into how the club reacted to major events, both close to and far away from Huyton, including the First and Second World Wars. It is during the First World War that we have the first mention of a man who would become a central part of the cricket club’s most successful playing period and remain with the club, in various roles, until his retirement: Ben Barrell.

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Barrell was signed up as a cricket professional at some point close to the outbreak of the First World War and he is referenced in the committee minutes of June 10th, 1915:

“the secretary mentioned that he had received complaints about the club employing two men of military age. The recruiting sergeant had visited the two men in question and urged them to join. It was decided that Mr. H. Eccles [the Chair] should quietly tell the men it was their duty to join, but that no pressure would be put upon them.”

Barrell was one of those two men and he did indeed soon leave to fight in the war. Both men survived the war and Barrell would return to Huyton Cricket Club. It is easy to see from the club’s committee minutes and crammed scrapbooks of newspaper cuttings that Barrell was a very talented player and an essential part of the club’s greatest successes. He was often the only professional player at the club and was an asset they were proud of. It is rare to find a page in the scrapbooks of the 1920s and 1930s that doesn’t feature a headline or article proclaiming this all-rounder’s name, typically in the matter-of-fact and understated tones of sports journalism in this period: “Barrell Bowls and Bats Well” or “Barrell in Bright Batting Display.”

In photographs, Barrell has remarkable, intense eyes that could suggest he was an intimidating opponent and teammate, but the picture of him created by the records in our collection instead show him to be a popular and well-liked presence both on and off the pitch. According to P.N. Walker’s book The Liverpool Competition, Barrell was made “a life member of the Club, became 1st XI umpire and played bowls there until his death at the age of 80” and was also groundsman and a coach. Alongside these duties and being the club’s professional (and best?) player, Barrell’s other responsibilities included preparing and cleaning the team’s kits and packing their bags before matches.1

HCC-1-4-9 p115 a Barrell crop

Ben Barrell, 1926

Ben Barrell, and other professionals who were signed up by Huyton, may have had relatively humble beginnings, but most of the amateurs who played for the team (at least during its first 100 years or so) were solidly middle or upper-middle class. In many of the photographs we have from the club’s early days and most successful periods, players appear relaxed and confident, with an air of leisurely comfort; a cigarette may be hanging casually between the fingers of one or two, or they lounge at the side of a road on the way to a match, a beautiful motor car in the background. A selection of these photographs are in the slideshow below.

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When trying to get an idea of Huyton Cricket and Bowling Club at different points in its history, the many scrapbooks in this collection are excellent resources. Alongside the match reports, articles, fixture books, and photographs, there are a number of delightful newspaper caricatures of Huyton’s cricket players: a frequent feature of sports columns in local papers at the time. As well as being amusing to look at, they also offer an insight into which of the players were catching the eyes of the local sports reporters and, presumably, the spectators. Some of the cartoons make use of curious illustrations that may be references that would have made more sense to the readers of that period, or could be references to cricketing terminology that goes over my head! The donkey and teddy bear in the Bootle v Huyton cartoon in the slideshow below, for example, could be references to the players’ performances or something else entirely! And what of the white mice in the Wallasey v Huyton cartoon?

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The Huyton Cricket and Bowling Club collection is a wonderful and evocative set of documents. At some point during the next year or so, one of our Heritage Lottery funded community projects will be focused on Knowsley’s sporting heritage, so I am sure we will be making use of the collection and hopefully giving people the chance to see more of the treasures within it. To not make use of it when such an opportunity presents itself would be…well, it just wouldn’t be cricket, would it?

1Walker, P.N. 1988. The Liverpool Competition: A Study of the Development of Cricket on Merseyside. Birkenhead: Countyvise Limited, p. 77

Mr. Clark’s Wonderful Album

If I tell people that we have Victorian family photographs in the ARK, many imagine they know what to expect: stiff collars, stiff backs, stiff upper-lips and stiff poses. Whilst there are indeed photographs in our archives that show Victorians staring firmly at the camera or looking as though they would rather be anywhere but in front of a camera; we are also lucky enough to have some wonderful 19th and early 20th century photos that gleefully disregard their period’s reputation for dour frowns and rigid stances. One such collection is Mr. J.R.J. Clark’s photograph album, containing pictures taken between 1899 and 1900, which has recently been catalogued and digitised thanks to our Heritage Lottery funding. To highlight the work done during the digitisation process of the album, a small exhibition of images from the album has been put together in Kirkby Library.

Mr. Clark’s group portraits are almost always of people laughing and enjoying themselves

Mr. Clark and his young family lived in Huyton during this period and were clearly a wealthy family. Mr. Clark’s father had been the proprietor of the Lancashire Gazette newspaper and his son, it seems, had trained and worked in law before retiring from the profession at a relatively young age. As our photograph album demonstrates, Mr. Clark used much of his free time to take holidays, enjoy sporting and leisure activities, and pursue an interest in photography. It should be noted that at least some of the pictures are likely to have been taken by other photographers, particularly as Mr. Clark features in some of the images.

CLAR-1-1 p38 a

This photograph shows three children with two adults who we assume to be household servants. Mr. Clark’s album unfortunately provides no information as to who they were or what their household roles were.

Mr. Clark’s photographs are all exterior shots (where the light, of course, was better) and so all of the images of his Huyton home are outside and usually in the garden. Judging by the fruit and vegetables growing in pots – not to mention the types of clothing people are wearing – these garden photos were taken on warm spring or summer days. As well as family members and friends, household servants weren’t safe from Mr. Clark’s roving camera. Amongst the photographs in the album, there are shots of servants on their own and some where they are shown alongside family members, especially the children. The handwritten captions within the album are unfortunately very erratic, with very few details provided beyond the odd date and location, so we cannot easily identify all of the individuals in the pictures, including the servants and their specific roles.

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Holidays, both overseas and in the UK, were clearly something of a regular occurrence for the Clark family. The majority of the photographs have been taken whilst on holiday although, as mentioned above, it isn’t always easy to identify locations because most of the pictures don’t have captions. Confirmed locations for holidays include: the Isle of Man; South Devon (Dartmouth, Dawlish, Teignmouth and Exeter were all photographed); York; Fountains Abbey, Ripon; and Paris. Holiday photography provided Mr. Clark (and any other unidentified photographers) with the opportunity to try their hand at landscape images and many of these are very interesting as compositions in their own right and for the wealth of historical information they convey. Despite this, however, the camera’s gaze is still normally focussed on the family and friends’ enjoyment of their time together and the varied activities they involved themselves in.

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This photograph was probably taken somewhere in South Devon, c. 1899

An enthusiasm for sport and other leisure activities, including hunting, is evident from Mr. Clark’s photographs. There are pictures that have been taken of friends and family taking part in sports and images of sporting events, such as show jumping and cricket matches at Aigburth Cricket Club, Liverpool (including a match between Liverpool and District and an Australian team). In other pictures, people pose with golf clubs or croquet mallets, and there is a whole series of photos of people with their hunting guns.

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CLAR-1-1 p26 a

Children in Paris, c. 1899-1900

One of the other notable things about many of the photographs is their spontaneity and creativity. The photographer[s] tried to capture events and moments as they saw them, often resulting in some dynamic and impressive images, such as the photo (right) of children running along a street in Paris. Experimentation is also evident in some of the photographs. In particular, there is a photograph (below) that is a double-exposed image of Norwegian naval cadets in Dartmouth combined with a picture of a lifeboat in Teignmouth.

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Double-exposed image, Dartmouth and Teignmouth, Devon, October 1899

The people in almost all the images in Mr. Clark’s photograph album always seem to be enjoying themselves, often laughing at some unknown joke or antic. Perhaps Mr. Clark, or whoever else was taking the picture, has said something to make everyone laugh or pulled a funny face. Whilst we will never know, I believe that seeing faces from the past showing their enjoyment of their environments and each others company is somehow more powerful and resonant than a formal photograph taken in a studio. It reminds us that whilst our surroundings, haircuts and clothes may have changed, when we’re snapping pictures of family, friends and holidays on our smart phones and digital cameras, we’re not really all that different from the people taking photographs over 100 years ago.

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The exhibition of images from Mr. Clark’s photograph album is currently on display at Kirkby Library during its normal opening hours.

Listening to Postcards

As detailed in an earlier blog, one of the collections that is being digitised and catalogued thanks to our Heritage Lottery funding is the personal collection of a family who used to live in Huyton and was deposited by a member of the family who had been born in 1914, shortly before the outbreak of war. Luckily for us, she was an habitual hoarder – keeping correspondence between herself, family members and friends, as well as various other family-related items. Included amongst the family’s business and personal documents are some fantastic postcards sent and received from the First World War through to the Second World War. My earlier post on this collection described how powerful and insightful these are and how they provide a fascinating glimpse into the relationships family members had with each other and their wider friendship and community networks. The combination of image and words that postcards bring together has a wonderful way of evoking voices, allowing us a rare opportunity to listen to the past.

Now that the digitisation and cataloguing of the postcards have been completed, we decided to put up a small display of duplicates, with labels providing interesting contextual information.

girl holding dog postcard 1918

Postcard from 1918 showing a young girl holding a dog

Four of the postcards are part of a chain between a father who was serving in the Royal Flying Corps during the First World War and his young daughter (whose personal collection all of the items in the display come from). As described in an earlier post (‘Postcards from the Past’), the pair used to enjoy trying to outdo each other with cards that made them laugh or they found particularly cute – usually meaning pictures of little girls or sweet animals or, even more ideal, animals and children together!

Also from the First World War period, we have two cards that portray the devastation wrought by battle in Europe. Postcards with images of bombed ruins in France were popular towards the end of the First World War with British soldiers sending word home or to be purchased as a souvenir of the war. The postcard of Peronne we have selected (below, top) is one of several in this collection that was not sent to anyone, but brought back to England as, presumably, a memento. As ever, humorous cards were very popular to send home and our other card of war damage (below, bottom) provides a brilliantly incongruous image of a British soldier taking a nap on a bed amongst the ruins.

the little house postcard 1917

‘The Little House,’ Peronne, 1917

Tommy sleeping in the ruins postcard 1917

‘A Tommy Does A Sleep Amongst the Ruins,’ 1917

The postcards we have selected from the inter-war years reflect the social life of our depositor as she became a young woman who was lucky enough to travel across the country and visit parts of mainland Europe. From 1928, her elder sister, sends a beautiful image of the Blackpool Illuminations back home to her then-teenage sister, a reminder of both the long history of the Illuminations and the popularity of Blackpool as a short break destination for residents of Merseyside and the surrounding areas.

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The Blackpool Illuminations, 1928

Our young woman’s correspondents during the 1930s include a German man who would send her postcards in English, French and German. Amongst these are two postcards of great historical significance. The first (below, top), from April 1938 and written in English with an image of Semmering, Austria, was sent from Vienna, Austria, shortly after Adolf Hitler had annexed the country and paraded triumphantly through the city. The sender uses apostrophes when writing how ‘happy’ his friends are to see Hitler there, possibly indicating that they were exactly the opposite. The second (below, bottom) has an image of the Rheinhotel Dreesen in Bad Godesberg, Germany, and was sent on 22nd September 1938. The German text contains references to Hitler and the British Prime Minister, Neville Chamberlain, as it was written and sent whilst historic meetings were taking place at the hotel between the pair that would, with hindsight, bring the Second World War one step closer.

postcard Semmering Polleroswand 1938

Semmering, Austria, 1938

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Rheinhotel Dreesen, Bad Godesberg, 1938

The mini-exhibition of postcards can be viewed at Kirkby Library, Mondays, Tuesdays and Fridays: 10am – 5pm; Thursdays and Saturdays: 10am – 1pm. For any more information about the collection or to view the originals, please contact Knowsley Archives.

Christmas Delights!

Christmas trees are being decorated, cards are being sent, and the sales of Baileys are suddenly soaring. Not wanting to be the humbugs hiding in the archive, we’ve decided to put together a small display in Kirkby Library of Christmas related documents from our collections.

christmas robins postcard front

Some uncomfortable looking Christmas robins

Included in the exhibition are four Christmas cards, all from during, or shortly after, the First World War. The earliest of these is a card sent by a man serving in the Royal Flying Corps to his daughter back home in Huyton. The straight-forward monochrome design of the card, featuring an image of fighter planes circling that must have intrigued the young girl when she opened the card, contrasts with a more saccharine image of three robins sent shortly after the end of the war in 1918; although the fact that the robins appear to be stuck within a parcel filled with jagged holly leaves does add a peculiar note to the picture. The third card is one that incorporates a strangely blurred image of a cottage surrounded by a decidedly un-Christmassy summer garden. The nature of the blurring is reminiscent of 3D pictures, but could be the result of some kind of production error. Either way, a father at some point, probably in the 1920s, selected the card to send to one of his children. The fourth card is a Christmas message sent from the Huyton Vicarage in 1949 with the “heartiest” greetings from the Rev. W.H. Lewis and his wife and would probably have been received by many Huyton residents at the time.

Huyton’s Parish Magazine was keen to share some household tips with its female readers in 1959. Alongside recipes (Chunky Cake, anyone?) on the page we have scanned for display, readers could also learn how to remove soot fall from carpets (presumably after Father Christmas had dropped down a tight chimney); solve the “problem” of toddler’s shoe laces; and discover how to stop pans boiling over (smear the top edges with butter apparently*). There were also some “Christmas Specials;” and if you’ve ever wanted to add “glamour” to your Christmas parcels then you need to read this!**

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A high-tech Christmas message from Cross International

The offices and factory of Cross International in Kirkby were very keen on Christmas in the 1970s and our exhibition features three documents telling the story of their Christmas celebrations in 1971. As well as a photograph showing the children of staff members working their way through mountains of cake and wearing novelty hats at a party, we’ve offered a taste of what their parents were up to with the menu for their impressive looking Christmas Dinner Dance (if anyone’s ever had Cranberry Peach Boats, we’d love to know more). Cross International were a cutting edge company and they knew how to show off to colleagues and fellow companies across the globe. Why send a boring old Christmas card (that was so 1960s) when you can send a state of the art message where the very letters of the words are made up entirely of the word ‘Cross’? It’s a wonderful document that hints at the excitement that new, rapidly-evolving electronic technology offered, as well as the confidence of an international business.

School logbooks can make fascinating reading, providing a revealing insight into the daily troubles, successes and challenges of school life. For this Christmas themed exhibition, we’ve included copies of two pages from the logbook of Whiston County Infants School. The first is from the Christmas period of 1938-39 and, as well as notes on the impact of snow fall (“attendance 52%”) in the New Year, it records that children were sent home for the Christmas break with milk vouchers. The second page, from 1953-54, features, alongside an alarming number of staff illnesses, an entry regarding the Christmas party to which, we can all be reassured to know, “Father Christmas arrived in good time.” Knowing Santa’s usual method of arrival, we’ll have to hope that school staff were already aware of how to remove soot fall from carpets, as it would be another few years before the Huyton magazine published that gem.

The exhibition will remain up at Kirkby Library until at least the 8th of January 2016. The library’s opening hours are Monday, Tuesday, Friday: 10am-5pm; Thursday and Saturday: 10am-1pm. The library is closed all day on Wednesdays. During the Christmas period, the Library is closed from the 23rd December 2015 until the 4th January 2016, with the exception of Tuesday 29th December, when it is open as normal.

*If someone gets the chance to test this, please report back with results!

**For those of you too far away to visit Kirkby, its all to do with ribbons saved from chocolate boxes…

Postcards from the Past

Collections of correspondence can be a fascinating source of historical information and provide a wealth of cultural and social context. They can reveal forgotten friendships, romances and feuds; or offer the evidence needed to piece together a family’s history or business dealings. For me, this sense of a family’s world pulling into focus is made all the sharper when much of the correspondence is conducted via greetings cards and postcards.

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Many of the postcards capture Huyton as our correspondent would have known it growing up, such as this one of Park Road.

Here in Knowsley Archives, we have a collection of personal documents, currently being digitised thanks to Heritage Lottery funding, that belonged to a woman brought up in Huyton. Born in 1914, just as the small community (as it was then) of Huyton and the wider world was about to be forcibly and irrevocably changed by the First World War, she grew up during the inter-war years and was able to travel extensively across Europe during the mid to late 1930s, making friends in the different nations she visited and then keeping in touch with postcards written in French, German and English. We also know from correspondence that she became actively involved with the Liverpool Women Police Patrols. In 1939, of course, her life was again dramatically affected by war. This time, her younger brother joined up and was killed in 1944. The surviving correspondence allows us to see the warm, gently teasing relationship the siblings had and the terrible devastation wrought by her brother’s death upon herself, her family and their friends in Huyton.

Clearly, the information detailed above survives because of the written word, but it is often given extra meaning and can offer further levels of understanding when the correspondence has been conducted using postcards and greeting cards. The writing itself can tell us about the correspondent’s state of mind; we may wonder why some would write so much, often resorting to filling every available space on the back of a postcard, and others would keep their note to a brief, sometimes terse couple of lines. During the Tommy sleeping in the ruins postcard 1917First World War, our young girl’s father (who was serving in the Royal Flying Corps) would send very brief postcards to his wife, often with the message “letter to follow,” but much more detailed postcards to his young daughter, telling her his reaction to news she (or her mother) had passed on and how much he looked forward to seeing her again soon. There is a marked difference in the types of images used to illustrate the cards he sends to his wife and his daughter. For his wife, he often selects postcards that portray the ravages of the war upon Europe: bomb-damaged streets and buildings torn apart. Occasionally these may have a hint of humour to them, such as the card shown above that captures a Tommy resting on a bed amongst the ruins.

The postcards and greeting cards the father would send to his daughter are often chosen
because he hopes she will find them pretty. Towards the end of the war, we can gather
that they were exchanging cards that made them smile; each trying to outdo the other with cuter or more farcical images. We are very lucky that cards written by both the father and the daughter have survived to be part of this collection, so we can wonder if the “comical” card her father expresses surprise at receiving is the one of the girl dressing in front of her dog below. When he sends the card showing the girl floating in the tub he suggests that his daughter is more mischievous than the girl in the illustration and would pull the fish’s tail.

dog and little girl postcard c 1918

The caption reads: “Donald, you should look the other way when a lady’s dressin’!”

'any subtureens mr fish' postcard 1919

The caption reads “Any Subtureens Mr. Fish?”

 

 

 

 

 

 

 

 

 

 

Following the First World War (which her father survived), our correspondent enters into correspondence with people from across Europe. In particular, we have a number of postcards sent to her by a German man. These are interesting documents as pieces of correspondence (made all the more intriguing by the fact that we have no postcards from him following the outbreak of war, so do not know what happened to their relationship), and also offer a visual representation of the pre-Second World War Germany. It is a shame that we are not able to see the postcards that she was sending to Germany – what image of Britain did they present, I wonder?

postcard Bernkastel 1939

Postcard from Bernkastel-Kues, Germany, 1939

postcard from Goppingen 1937

Postcard from Goppingen, Germany, 1937

Unfortunately, our collection of correspondence peters out after the Second World War. Other family documents are included in the collection, but there is a special power to these postcards and greeting cards that give us a tantalising glimpse into the life of one family during the first of the twentieth century. A card that may have been selected randomly or with great care can be so much more than a simple exchange of words; it can help to present a far more detailed picture of the world these people lived in and the way that they, and others, perceived it.

The Power of Apprentice Indentures

As part of our Heritage Lottery funded projects, we will be doing a lot of work talking to children and young people about their local histories and drawing on their own experiences – through photography, video, oral history, artwork, and other means – to develop our archive for future generations.

mary taylor crop1It’s probably not that surprising that many of the young people we have worked with so far have been drawn to items in our archive that reveal details of how people of their age lived in the past. Amongst the items that attract a lot of attention are some of the many apprenticeship indentures we hold. These documents can be incredibly powerful glimpses into the unfamiliar experiences youngsters of the past faced. Much of the language used in these documents is strange and foreboding; in some cases they use words that have connotations that can sound chilling to our modern ears. It is fascinating for us to think about how these words would have sounded to the children these documents concerned.

Take Mary Taylor, for example. In 1762, aged just 9, Mary, an orphan, was signed up by the Overseers of the Poor (itself a pretty intimidating title!) to be an apprentice to Thomas Ireland for seven years. The word that can especially surprise modern readers is the role Mary was being apprenticed into: “housewifery.” Understandably, when we have spoken about this indenture with young people, horrifying concerns about the kinds of abuse Mary may have faced spring to mind. Even taking away the title of her apprenticeship role, for many contemporary audiences the very idea of a nine year old child being apprenticed (almost certainly with little say in the matter) to a man she may well have not known for seven years, swallowing up the rest of her childhood, and with very few rights as we would recognise them, is awful enough. But that role – “housewifery” – is bound to catch mary taylor crop2the attention of young people living in today’s society; perhaps most keenly because it suggests a married relationship between a nine year old girl and an adult man. Of course, this wasn’t what a “housewifery” apprenticeship meant; in the same way that a boy apprenticed in husbandry was not being married off. Mary would have been employed in duties that were probably quite menial in nature. If she was lucky, she may have acquired some skills from other people in the household that would be useful to her when her apprenticeship ended. Still, the power of language and these archival documents to educate and challenge perceptions is a wonderful tool when working with children and young people.

As we gather memories and experiences from today’s young people, I wonder what will stand out to future generations and challenge their own notions of how young people used to live and, ultimately, their own lives.

Name That Tune…

In our last post, I mentioned Thomas Watkin’s music book. This 19th century manuscript contains hundreds of folk tunes, providing most with a title and writing out, in beautiful, clear script the music for each. Thanks to our Heritage Lottery funding, the whole manuscript has now been digitised and we’re very HMB crop_tunesexcited about the prospect of working with local musicians to bring the music to life at some point in 2016. Of course, if we’re going to perform a selection of the tunes, it would be useful to know which tunes are available to choose from. At some point in the manuscript’s life, one scribe has at least started to make the effort to index the contents. It could be that they only got so far before giving up on the task or that there are several pages missing from the book, but, either way, we now only have a two page index listing 69 of the tunes. Exactly how many tunes are in the manuscript is not yet known, but given that those 69 tunes only cover 16 of the document’s 152 pages, there is still a long way to go to complete the index!

HMB crop_indexOne of the tasks some of our fantastic volunteers will be getting on with is completing the index of tunes. However, this isn’t always such a straightforward undertaking, as the titles are written in a few different hands and how decipherable they are varies
massively. Add to this the fact that the ink has faded in some places and this is no simple transcription!

The legibility of the handwriting might not be the only thing that will slow our progress completing the index. Some of the language used in the titles can be surprisingly, erm, ‘choice’ to our modern sensibilities! Folk tune titles featuring swear-words is actually fairly common, but it can still be a little startling to be calmly transcribing a 19th century music book that contains titles such as “Pretty Betty” or “Love in a Village” and come HMB crop_tuneacross a four letter word that can still cause considerable offence if it is used in the media today. Perhaps the language used in the titles acts a clue to the kinds of environments and audiences many of the tunes were intended for. Then again, maybe we underestimate how common swearing was in the past or how the level of offence caused by certain words may have altered at different points in our history. Whatever the case, there’s definitely a lot more in these pages than some nice tunes…

And no, it doesn’t matter how hard you look, the pictures on this blog do not include the folk tunes with risque titles!

A Small Taste of the Archives

CPatwVMWgAAwDoYFollowing our previous exhibition of artworks and archive materials relating to our first two Heritage Lottery funded projects, we have used some of the exhibition space here at Kirkby Library to display a small selection of the archive documents that have been digitised as a result of our Heritage Lottery grant.

Our three year Heritage Lottery grant has allowed us to develop the community engagement side of our work: facilitating nine projects that relate to different aspects of our archive collections and will be planned and delivered in partnership with a diverse range of Knowsley’s communities. Alongside this, we are in the process of creating an online catalogue and digitising a large portion of our collections. The nine items currently on display are part of this digitisation programme.

The display highlights documents from the 14th to the 20th century, covering different aspects of Knowsley’s history and the people who have lived and worked here.

Included is a 1715 list of taxes collected from Tarbock land-owners that provides antax collection thumbnail
example of local Catholics (or ‘Papists’ as they are referred to) having to pay twice as much as other rate-payers. This includes the Catholic at the head of the list, the Right Honourable Lord Molyneux.

The little-known Kirkby Amateur Dramatics Society are represented with a scan from their home-made 1935-36 photo album, chronicling the construction of sets for their plays and the performances themselves. The members have added a charming touch to the album by selecting quotes from the plays they staged to caption the photographs.

As with so many repositories, Knowsley Archives has a significant number of Bastardy Bonds. On display is an order from 1734 identifying one Richard Quick of Halewood as the father of Tarbock resident Ann Wyke’s unborn child and ordering him to pay towards the upbringing of the child.

huyton reel thumbnailAnother less well-known item in our collection we are drawing attention to is a music book handwritten and compiled at some point in the mid-19th century by a surveyor in Huyton called Thomas Watkin. The book is a beautiful document put together with real love and care and provides a fascinating glimpse into the folk tunes that ordinary people living in the area may have been listening and dancing along to.

Whilst only a small display, we hope this temporary exhibition will give visitors a hint of the diversity of our collections and encourage people to come and ask us questions and view some of the original documents.

Kirkby Now and Then Exhibition

DSC00056As part of our Heritage Lottery funded work, we have been working alongside the Kirkby U3A (University of the Third Age) and the Knowsley Adult Disability Day Service on two projects exploring Kirkby’s fascinating history. The Kirkby U3A interviewed people who lived and/or worked in Kirkby during the 1940s, ’50s and ’60s and by doing so have provided our archive with an incredible source of memories for future generations. The Disability Day Service, meanwhile, undertook research in the archive about Kirkby’s history, using this inspiration to create artworks and photographs representing the changes to Kirkby over the past hundred years or so.

For the past couple of weeks, we’ve been celebrating the fantastic work of these twoDSC00052
projects with an exhibition in Kirkby Library. The exhibition incorporates sound recordings, listening posts, photographs and artworks. The response to the exhibition has been overwhelmingly positive, with visitors commenting that they have discovered new things about Kirkby and that it triggered lots of old memories. Visitors have encouraged their friends to come and often brought different generations of their family to see the exhibition together. Due to the popularity of the exhibition, we’ve decided to keep it on a little longer than planned: the exhibition will now be until 4th September.

DSC00051These are the first two of nine community projects that we will be running during our three years of Heritage Lottery funding, so we are really pleased with the public’s response! There are some very exciting plans being developed for the next seven projects which we look forward to sharing more details about soon…

Meet Our Volunteers: Mark

Mark 1

We have fantastic volunteers and would like to introduce a few of them to you, in their own words. So, without further ado, here’s Mark. I could say how brilliant he is, but I’ll let him do that himself…

“Writer, Comedian Extraordinaire. My name’s Mark and it’s a little tough to do justice to the absolute majesty of my being. Indexing newspaper articles, I travel years into the past. Decades even. I’m the guy who writes the guides to the tomes you use for research. I read them through, come up with a summary that does them justice and explains to you in clear terms, and then type them into a document which you then use to locate specific articles. So basically… without me, you’re lost!”

Mark 2