Aspirations and Accreditations

What a year 2017 was!

The ARK started the year in a very purposeful manner, closing its doors to personal visitors so that all of the collections could be inspected for condition, packaging and location during the 2 week stock take. It was the first time that we had undertaken such a task, which, although a full-on experience, was one that we found incredibly useful as it gave us a greater insight into the condition and status of the collections, so much so that the process will be repeated in 2018 (put 22nd January-2nd February in your diary…)

At the same time, the ARK loaned exhibition material to the Council of Christians and Jews in Liverpool, which was shown at Liverpool Cathedral to mark Holocaust Day. This opened up the information gathered as part of our HLF supported Huyton Camps project to yet another diverse audience who were able to connect with the experiences of internees.

February was a busy time, which saw a team effort result in the local history reference stock held at Huyton Library being transferred to the ARK, where these books are now safely stored for posterity (and researchers to study!). We also opened our doors to staff from Knowsley’s branch libraries, who were given an insight into the workings of the archive service and a chance to see some of the wonderful treasures in the collections.

The Heritage Lottery Fund supported projects have made great progress during 2017. The retro-conversion of the paper-based catalogue to Calm, an online, accessible database and the community engagement projects both gained momentum, aided by our magnificent volunteers, who regularly and generously give their time and expertise to support the ARK.

D517-072

Children from St Anne’s Catholic Primary School

Children from St. Anne’s Catholic Primary School in Huyton worked incredibly hard, researching the history and impact of the railways in Huyton. The result was a stunning documentary which is both informative and entertaining. Watch it here, if you haven’t already:

Meanwhile, our borough-wide music project, ‘Rock the ARK’, got off the ground with some eye-catching exhibitions in our library spaces and an invitation to vote for your favourite Knowsley related pop song. It was an impressive roll call of Knowsley talent, with T’Pau, The La’s, Black, Frankie Goes to Hollywood and more besides in the running for the top slot. Who won? Well, we’ll find that out later…

The ARK hosted many visits from students, school pupils and local societies over the course of the year, providing an introduction to the ARK, research sessions and interactive explorations to enable people to access the collections and interpret that information in an appropriate manner. We also went out on road, visiting groups in their own spaces – for example, we helped Beavers, Cubs and Scouts in Prescot to achieve their Local Interest badge, entertained Halewood U3A with our 1990 Pop-up Slide Show (which recreated an original local history talk delivered by the former Principal Reference Librarian, the late Mr. T. W. Scragg) and evoked musical memories at Stockbridge Library’s reminiscence coffee morning. In another first for us, we were delighted to be invited to present a talk on the ‘Highlights from the Prescot Archives’ to the 13th Annual Prescot Festival of Music and the Arts.

Kirkby College Reunion 31.8.17

Former students of the Malayan College return to Kirkby, August 2017

The Heritage Lottery Fund supported projects continued to grow throughout the year. Links with the Alumni of Kirkby’s Malayan Teachers’ Training College, which operated on the site of the former Royal Ordnance Factory hostel in Kirkby Fields from 1952–1962, culminated in an emotional return of some 38 of the former students, many of them now octogenarians, to the site of the College to unveil a commemorative plaque which describes the history of the site. This visit, on 30th – 31st August, coincided with the 60th anniversary of the announcement of Merdeka (independence) for Malaya (now Malaysia). Old friendships were rekindled and new associations forged in what was a most inspiring and uplifting experience for the Alumni, local residents, ARK staff and volunteers. The legacy of this project is clear: links between residents and former students and their families have been created, and the ARK is now recognised as the official repository for material relating to the MTTC and the Alumni Association, underlining the international importance of the collections, which will continue to be a focal point for researchers of the College in the future. Watch the events unfold in this short film:

Malayan Christmas Card, 1954

A beautiful Malaysian Christmas card design from the Margaret Whitaker collection, described in December’s Challenge article

August saw The Challenge newspaper publish the first of a monthly series of articles submitted by the ARK which explore different aspects of the collections. So far, we’ve covered diverse topics such as the Malayan Teachers’ Training College, Knowsley’s sporting legacy, tales of mystery and celebrating Christmas. The January issue is due out now – look out for our article on sales and shopping in Knowsley, explored through the prism of the archive collections.

The big headline for 2017, however, has to be the ARK’s attainment of Accreditation from The National Archives, which was announced in November.

The Archive Accreditation Scheme is a national award Accredited Archive Service logowhich is only given to archive services after a rigorous inspection process which closely examines all aspects of service delivery, from policies and procedures and conservation work through to customer service, access to the collections and community engagement. Happily, the ARK was awarded full accreditation status, giving our communities that quality assurance that the archives are being managed, cared for and made available to the very highest standards.

20171124_092317

Getting ready to show Erich Kirste’s moving account of life as a POW in Huyton

November was also time to join in with the national campaign, Explore Your Archive. We ran an open day and 2 film show sessions, which featured the short films created through our HLF supported projects – Erich Kirste’s moving recollections of life as a WWII Prisoner of War in Huyton, ‘Chuffed to Bits’ which explores the impact of the railways on Huyton and Roby through the eyes of pupils from St Anne’ Catholic Primary School and ‘The Malayan Connection’ which celebrates the return of the former students of the Malayan Teachers’ Training College to Kirkby.

Our HLF supported projects continue into the 3rd year of the programme, with more exciting opportunities for our communities to get involved in activities around sport (our sporting heritage project, ‘This Sporting Life’, is about to kick off…) and education (‘History Detectives’ will create local history materials for use in schools) plus our music project, ‘Rock the ARK’ will be finalised (by the way – the La’s won the public vote).

The collections will be much easier to search and be much more visible as we go live with the catalogue – keep a look out for details of the launch of Calmview, which will allow researchers to explore collections online.

So: 2017 was definitely a landmark year for the ARK – but there’s so much more to come in 2018!

Advertisements

It’s all about the analogue…

During our recent stock take, we uncovered a forgotten slide show presentation mounted in a carousel. After a quick inspection, we realised that we also had a script, dated 1990, filed away in a cabinet which just might offer information on the slides. Indeed, the script described, in great detail, the listed buildings and conservation areas of Knowsley as they were in 1990, compiled by T.W. Scragg. Tom was for many years the Library Service’s greatly respected Principal Reference Librarian, who during his career had taken a great interest in local history and was something of an expert in the field.

 

PT92

This view of Market Place, Prescot in 1809 is from a painting presented by F W Halsall Esq. and is one of the slides in the presentation

Fortunately, Mr Scragg had left a complete list of the slides alongside the script and we found, to our great delight, that the images matched perfectly – to a point. The carousel was full, but according to the printed material, there were still a further 11 slides, representing the townships of Tarbock and Halewood, missing from the sequence. What to do? There are many slides in the archive, a number of which are unlisted. In time, we will catalogue all of the slides, but in that moment, it seemed to be an almost insurmountable task to identify and retrieve the missing images.

So began the process of reviewing the collection, starting with a box of miscellaneous items curiously entitled ‘Somebody’s Holiday Snaps.’ Within the box was a folder of obviously library focused material and a small slide box which was unlabelled, but contained individual slides bearing Library Service reference numbers. Could these be the missing slides from Mr Scragg’s tour of Knowsley? An inspection of the slides revealed that they were indeed the elusive 11, and we promptly set about reuniting the collection.

CR11

Not all of the listed sites in Knowsley are buildings: the Stocks at Cronton, pictured in 1906, are Grade II listed and feature in the presentation

It is fascinating to compare the properties singled out for consideration 27 years ago with Historic England’s National Heritage List for England, the current register of nationally protected historic buildings and sites in England. In Knowsley, there are some 121 listed buildings and monuments, ranging from the Grade II listed Dovecote – known locally as the Pigeon House – on Whitefield Drive in Kirkby and the grand family seat of the Earls of Derby, Knowsley Hall (Grade 2*) to the only Grade I building in the borough, the Church of St Mary on Church Street, Prescot. To break the numbers down, there is 1 Grade I building (St Mary’s, Prescot); 4 Grade II* (Church of St Michael, Huyton; St Chad’s Church, Kirkby; St Mary’s Church, Knowsley and Knowsley Hall) and the remaining 116 listed at Grade II. Some of the buildings noted by Mr Scragg have since been demolished or re-purposed whereas others, such as St Chad’s, have seen their heritage status enhanced. The presentation gives us an opportunity to reflect on how the borough’s building stock has evolved through the intervening years and how our historic buildings add value to our understanding of the past and offer a real,tangible link to our heritage.

KB216

Another image from the slide show: the Norman font, St Chad’s Church, Kirkby

So: we aim to recreate the presentation in the ARK to share with local historians, using the original script, slides and slide projector, as part of Local History Month. The 1990 Pop-Up Slide Show will take place on Wednesday 19th April 2017, starting at 10:30am until 12:30pm. The session will run for up to 2 hours, with light refreshments available and an opportunity to discuss comparisons with today’s landscape and to explore original archive materials.

The event is free of charge, but as space is limited in the ARK search room, you can avoid disappointment by booking a place in advance. Contact the ARK, 1st Floor, The Kirkby Centre, Norwich Way, Kirkby L32 8XYon 0151 443 4291 or email infoheritage@knowsley.gov.uk.

 

Family History Help Desk Week

Each month, Knowsley Archives run a series of Family History Help Desks in libraries across the borough. If you are new to family history research, or are trying to find your way through the maze of information and resources, expert advice and guidance is available to help you on your way.

If you would like support with your family history research, staff at the ARK – Knowsley Archives’ base in Kirkby Library – are available to help during our opening hours (see sidebar on the right), but the Family History Help Desks are an opportunity to get support at a time and location that may be more convenient for you.

Sessions are run on a drop-in basis. We will do our best to answer your questions on the day, but more complicated queries may need to be followed up after your visit or require an additional appointment.

Sessions remaining for the rest of 2016 are as follows:

PRESCOT LIBRARY Tuesday      10am-1pm STOCKBRIDGE LIBRARY Tuesday        2pm-5pm KIRKBY LIBRARY Thursday    10am-1pm HALEWOOD LIBRARY    Friday           2pm-5pm HUYTON LIBRARY Saturday     10am-1pm
18th October 2016 18th October 2016 20th October 2016 21st October 2016 22nd October 2016
15th November 2016 15th November 2016 17th November 2016 18th November 2016 19th November 2016
13th December 2016 13th December 2016 15th December 2016 16th December 2016 17th December 2016

Roll Out The Barrell: Discovering the Huyton Cricket Club

Anyone who has been following our Twitter (@knowsleyarchive) posts over the past few months may have been bowled over by a sudden surge of cricket related tweets and images popping up on our timeline. As you may have spotted, the reason for them is because, thanks to our Heritage Lottery funding, I have been cataloguing and digitising the wonderful records of the Huyton Cricket and Bowling Club. Despite having always been stumped by cricket and my Dad failing to hand over his love of the game to me, this is a collection that’s really hit me for six (okay, okay, I promise that will be the last cricket pun).

HCC-1-4-7 team photo

Huyton Cricket Club First XI, c. 1886

Huyton Cricket and Bowling Club was formed at a meeting on 7 May 1860, with their first match taking place just a few weeks later against Bootle Cricket Club and they would go on to become a successful club in the Liverpool and District Cricket Competition (as it would become known). Nicknamed ‘the Villagers’, they were moderately successful at different points in their history, with the early 1920s an especially triumphant period. The club was established as a ‘gentlemen’s’ club and during the majority of its history the membership would have been regarded as of a higher social status than some of the other Huyton cricket clubs, such as the Huyton and Roby Working Men’s Cricket and Bowling Club or Huyton Recs.

The records in the collection include committee minutes, some very colourfully decorated scrapbooks (see slideshow below), photographs from across the history of the club, fixture books, and correspondence. The minutes, particularly from the first eighty or so years of the club, are filled with tantalising glimpses of some of the intriguing characters involved in the club, on and off the field. They also offer fascinating insights into how the club reacted to major events, both close to and far away from Huyton, including the First and Second World Wars. It is during the First World War that we have the first mention of a man who would become a central part of the cricket club’s most successful playing period and remain with the club, in various roles, until his retirement: Ben Barrell.

This slideshow requires JavaScript.

Barrell was signed up as a cricket professional at some point close to the outbreak of the First World War and he is referenced in the committee minutes of June 10th, 1915:

“the secretary mentioned that he had received complaints about the club employing two men of military age. The recruiting sergeant had visited the two men in question and urged them to join. It was decided that Mr. H. Eccles [the Chair] should quietly tell the men it was their duty to join, but that no pressure would be put upon them.”

Barrell was one of those two men and he did indeed soon leave to fight in the war. Both men survived the war and Barrell would return to Huyton Cricket Club. It is easy to see from the club’s committee minutes and crammed scrapbooks of newspaper cuttings that Barrell was a very talented player and an essential part of the club’s greatest successes. He was often the only professional player at the club and was an asset they were proud of. It is rare to find a page in the scrapbooks of the 1920s and 1930s that doesn’t feature a headline or article proclaiming this all-rounder’s name, typically in the matter-of-fact and understated tones of sports journalism in this period: “Barrell Bowls and Bats Well” or “Barrell in Bright Batting Display.”

In photographs, Barrell has remarkable, intense eyes that could suggest he was an intimidating opponent and teammate, but the picture of him created by the records in our collection instead show him to be a popular and well-liked presence both on and off the pitch. According to P.N. Walker’s book The Liverpool Competition, Barrell was made “a life member of the Club, became 1st XI umpire and played bowls there until his death at the age of 80” and was also groundsman and a coach. Alongside these duties and being the club’s professional (and best?) player, Barrell’s other responsibilities included preparing and cleaning the team’s kits and packing their bags before matches.1

HCC-1-4-9 p115 a Barrell crop

Ben Barrell, 1926

Ben Barrell, and other professionals who were signed up by Huyton, may have had relatively humble beginnings, but most of the amateurs who played for the team (at least during its first 100 years or so) were solidly middle or upper-middle class. In many of the photographs we have from the club’s early days and most successful periods, players appear relaxed and confident, with an air of leisurely comfort; a cigarette may be hanging casually between the fingers of one or two, or they lounge at the side of a road on the way to a match, a beautiful motor car in the background. A selection of these photographs are in the slideshow below.

This slideshow requires JavaScript.

When trying to get an idea of Huyton Cricket and Bowling Club at different points in its history, the many scrapbooks in this collection are excellent resources. Alongside the match reports, articles, fixture books, and photographs, there are a number of delightful newspaper caricatures of Huyton’s cricket players: a frequent feature of sports columns in local papers at the time. As well as being amusing to look at, they also offer an insight into which of the players were catching the eyes of the local sports reporters and, presumably, the spectators. Some of the cartoons make use of curious illustrations that may be references that would have made more sense to the readers of that period, or could be references to cricketing terminology that goes over my head! The donkey and teddy bear in the Bootle v Huyton cartoon in the slideshow below, for example, could be references to the players’ performances or something else entirely! And what of the white mice in the Wallasey v Huyton cartoon?

This slideshow requires JavaScript.

The Huyton Cricket and Bowling Club collection is a wonderful and evocative set of documents. At some point during the next year or so, one of our Heritage Lottery funded community projects will be focused on Knowsley’s sporting heritage, so I am sure we will be making use of the collection and hopefully giving people the chance to see more of the treasures within it. To not make use of it when such an opportunity presents itself would be…well, it just wouldn’t be cricket, would it?

1Walker, P.N. 1988. The Liverpool Competition: A Study of the Development of Cricket on Merseyside. Birkenhead: Countyvise Limited, p. 77

Mr. Clark’s Wonderful Album

If I tell people that we have Victorian family photographs in the ARK, many imagine they know what to expect: stiff collars, stiff backs, stiff upper-lips and stiff poses. Whilst there are indeed photographs in our archives that show Victorians staring firmly at the camera or looking as though they would rather be anywhere but in front of a camera; we are also lucky enough to have some wonderful 19th and early 20th century photos that gleefully disregard their period’s reputation for dour frowns and rigid stances. One such collection is Mr. J.R.J. Clark’s photograph album, containing pictures taken between 1899 and 1900, which has recently been catalogued and digitised thanks to our Heritage Lottery funding. To highlight the work done during the digitisation process of the album, a small exhibition of images from the album has been put together in Kirkby Library.

Mr. Clark’s group portraits are almost always of people laughing and enjoying themselves

Mr. Clark and his young family lived in Huyton during this period and were clearly a wealthy family. Mr. Clark’s father had been the proprietor of the Lancashire Gazette newspaper and his son, it seems, had trained and worked in law before retiring from the profession at a relatively young age. As our photograph album demonstrates, Mr. Clark used much of his free time to take holidays, enjoy sporting and leisure activities, and pursue an interest in photography. It should be noted that at least some of the pictures are likely to have been taken by other photographers, particularly as Mr. Clark features in some of the images.

CLAR-1-1 p38 a

This photograph shows three children with two adults who we assume to be household servants. Mr. Clark’s album unfortunately provides no information as to who they were or what their household roles were.

Mr. Clark’s photographs are all exterior shots (where the light, of course, was better) and so all of the images of his Huyton home are outside and usually in the garden. Judging by the fruit and vegetables growing in pots – not to mention the types of clothing people are wearing – these garden photos were taken on warm spring or summer days. As well as family members and friends, household servants weren’t safe from Mr. Clark’s roving camera. Amongst the photographs in the album, there are shots of servants on their own and some where they are shown alongside family members, especially the children. The handwritten captions within the album are unfortunately very erratic, with very few details provided beyond the odd date and location, so we cannot easily identify all of the individuals in the pictures, including the servants and their specific roles.

This slideshow requires JavaScript.

Holidays, both overseas and in the UK, were clearly something of a regular occurrence for the Clark family. The majority of the photographs have been taken whilst on holiday although, as mentioned above, it isn’t always easy to identify locations because most of the pictures don’t have captions. Confirmed locations for holidays include: the Isle of Man; South Devon (Dartmouth, Dawlish, Teignmouth and Exeter were all photographed); York; Fountains Abbey, Ripon; and Paris. Holiday photography provided Mr. Clark (and any other unidentified photographers) with the opportunity to try their hand at landscape images and many of these are very interesting as compositions in their own right and for the wealth of historical information they convey. Despite this, however, the camera’s gaze is still normally focussed on the family and friends’ enjoyment of their time together and the varied activities they involved themselves in.

CLAR-1-1 p20 d

This photograph was probably taken somewhere in South Devon, c. 1899

An enthusiasm for sport and other leisure activities, including hunting, is evident from Mr. Clark’s photographs. There are pictures that have been taken of friends and family taking part in sports and images of sporting events, such as show jumping and cricket matches at Aigburth Cricket Club, Liverpool (including a match between Liverpool and District and an Australian team). In other pictures, people pose with golf clubs or croquet mallets, and there is a whole series of photos of people with their hunting guns.

This slideshow requires JavaScript.

CLAR-1-1 p26 a

Children in Paris, c. 1899-1900

One of the other notable things about many of the photographs is their spontaneity and creativity. The photographer[s] tried to capture events and moments as they saw them, often resulting in some dynamic and impressive images, such as the photo (right) of children running along a street in Paris. Experimentation is also evident in some of the photographs. In particular, there is a photograph (below) that is a double-exposed image of Norwegian naval cadets in Dartmouth combined with a picture of a lifeboat in Teignmouth.

CLAR-1-1 p12 b

Double-exposed image, Dartmouth and Teignmouth, Devon, October 1899

The people in almost all the images in Mr. Clark’s photograph album always seem to be enjoying themselves, often laughing at some unknown joke or antic. Perhaps Mr. Clark, or whoever else was taking the picture, has said something to make everyone laugh or pulled a funny face. Whilst we will never know, I believe that seeing faces from the past showing their enjoyment of their environments and each others company is somehow more powerful and resonant than a formal photograph taken in a studio. It reminds us that whilst our surroundings, haircuts and clothes may have changed, when we’re snapping pictures of family, friends and holidays on our smart phones and digital cameras, we’re not really all that different from the people taking photographs over 100 years ago.

This slideshow requires JavaScript.

The exhibition of images from Mr. Clark’s photograph album is currently on display at Kirkby Library during its normal opening hours.

The Power of Apprentice Indentures

As part of our Heritage Lottery funded projects, we will be doing a lot of work talking to children and young people about their local histories and drawing on their own experiences – through photography, video, oral history, artwork, and other means – to develop our archive for future generations.

mary taylor crop1It’s probably not that surprising that many of the young people we have worked with so far have been drawn to items in our archive that reveal details of how people of their age lived in the past. Amongst the items that attract a lot of attention are some of the many apprenticeship indentures we hold. These documents can be incredibly powerful glimpses into the unfamiliar experiences youngsters of the past faced. Much of the language used in these documents is strange and foreboding; in some cases they use words that have connotations that can sound chilling to our modern ears. It is fascinating for us to think about how these words would have sounded to the children these documents concerned.

Take Mary Taylor, for example. In 1762, aged just 9, Mary, an orphan, was signed up by the Overseers of the Poor (itself a pretty intimidating title!) to be an apprentice to Thomas Ireland for seven years. The word that can especially surprise modern readers is the role Mary was being apprenticed into: “housewifery.” Understandably, when we have spoken about this indenture with young people, horrifying concerns about the kinds of abuse Mary may have faced spring to mind. Even taking away the title of her apprenticeship role, for many contemporary audiences the very idea of a nine year old child being apprenticed (almost certainly with little say in the matter) to a man she may well have not known for seven years, swallowing up the rest of her childhood, and with very few rights as we would recognise them, is awful enough. But that role – “housewifery” – is bound to catch mary taylor crop2the attention of young people living in today’s society; perhaps most keenly because it suggests a married relationship between a nine year old girl and an adult man. Of course, this wasn’t what a “housewifery” apprenticeship meant; in the same way that a boy apprenticed in husbandry was not being married off. Mary would have been employed in duties that were probably quite menial in nature. If she was lucky, she may have acquired some skills from other people in the household that would be useful to her when her apprenticeship ended. Still, the power of language and these archival documents to educate and challenge perceptions is a wonderful tool when working with children and young people.

As we gather memories and experiences from today’s young people, I wonder what will stand out to future generations and challenge their own notions of how young people used to live and, ultimately, their own lives.

Name That Tune…

In our last post, I mentioned Thomas Watkin’s music book. This 19th century manuscript contains hundreds of folk tunes, providing most with a title and writing out, in beautiful, clear script the music for each. Thanks to our Heritage Lottery funding, the whole manuscript has now been digitised and we’re very HMB crop_tunesexcited about the prospect of working with local musicians to bring the music to life at some point in 2016. Of course, if we’re going to perform a selection of the tunes, it would be useful to know which tunes are available to choose from. At some point in the manuscript’s life, one scribe has at least started to make the effort to index the contents. It could be that they only got so far before giving up on the task or that there are several pages missing from the book, but, either way, we now only have a two page index listing 69 of the tunes. Exactly how many tunes are in the manuscript is not yet known, but given that those 69 tunes only cover 16 of the document’s 152 pages, there is still a long way to go to complete the index!

HMB crop_indexOne of the tasks some of our fantastic volunteers will be getting on with is completing the index of tunes. However, this isn’t always such a straightforward undertaking, as the titles are written in a few different hands and how decipherable they are varies
massively. Add to this the fact that the ink has faded in some places and this is no simple transcription!

The legibility of the handwriting might not be the only thing that will slow our progress completing the index. Some of the language used in the titles can be surprisingly, erm, ‘choice’ to our modern sensibilities! Folk tune titles featuring swear-words is actually fairly common, but it can still be a little startling to be calmly transcribing a 19th century music book that contains titles such as “Pretty Betty” or “Love in a Village” and come HMB crop_tuneacross a four letter word that can still cause considerable offence if it is used in the media today. Perhaps the language used in the titles acts a clue to the kinds of environments and audiences many of the tunes were intended for. Then again, maybe we underestimate how common swearing was in the past or how the level of offence caused by certain words may have altered at different points in our history. Whatever the case, there’s definitely a lot more in these pages than some nice tunes…

And no, it doesn’t matter how hard you look, the pictures on this blog do not include the folk tunes with risque titles!