Name That Tune…

In our last post, I mentioned Thomas Watkin’s music book. This 19th century manuscript contains hundreds of folk tunes, providing most with a title and writing out, in beautiful, clear script the music for each. Thanks to our Heritage Lottery funding, the whole manuscript has now been digitised and we’re very HMB crop_tunesexcited about the prospect of working with local musicians to bring the music to life at some point in 2016. Of course, if we’re going to perform a selection of the tunes, it would be useful to know which tunes are available to choose from. At some point in the manuscript’s life, one scribe has at least started to make the effort to index the contents. It could be that they only got so far before giving up on the task or that there are several pages missing from the book, but, either way, we now only have a two page index listing 69 of the tunes. Exactly how many tunes are in the manuscript is not yet known, but given that those 69 tunes only cover 16 of the document’s 152 pages, there is still a long way to go to complete the index!

HMB crop_indexOne of the tasks some of our fantastic volunteers will be getting on with is completing the index of tunes. However, this isn’t always such a straightforward undertaking, as the titles are written in a few different hands and how decipherable they are varies
massively. Add to this the fact that the ink has faded in some places and this is no simple transcription!

The legibility of the handwriting might not be the only thing that will slow our progress completing the index. Some of the language used in the titles can be surprisingly, erm, ‘choice’ to our modern sensibilities! Folk tune titles featuring swear-words is actually fairly common, but it can still be a little startling to be calmly transcribing a 19th century music book that contains titles such as “Pretty Betty” or “Love in a Village” and come HMB crop_tuneacross a four letter word that can still cause considerable offence if it is used in the media today. Perhaps the language used in the titles acts a clue to the kinds of environments and audiences many of the tunes were intended for. Then again, maybe we underestimate how common swearing was in the past or how the level of offence caused by certain words may have altered at different points in our history. Whatever the case, there’s definitely a lot more in these pages than some nice tunes…

And no, it doesn’t matter how hard you look, the pictures on this blog do not include the folk tunes with risque titles!

A Small Taste of the Archives

CPatwVMWgAAwDoYFollowing our previous exhibition of artworks and archive materials relating to our first two Heritage Lottery funded projects, we have used some of the exhibition space here at Kirkby Library to display a small selection of the archive documents that have been digitised as a result of our Heritage Lottery grant.

Our three year Heritage Lottery grant has allowed us to develop the community engagement side of our work: facilitating nine projects that relate to different aspects of our archive collections and will be planned and delivered in partnership with a diverse range of Knowsley’s communities. Alongside this, we are in the process of creating an online catalogue and digitising a large portion of our collections. The nine items currently on display are part of this digitisation programme.

The display highlights documents from the 14th to the 20th century, covering different aspects of Knowsley’s history and the people who have lived and worked here.

Included is a 1715 list of taxes collected from Tarbock land-owners that provides antax collection thumbnail
example of local Catholics (or ‘Papists’ as they are referred to) having to pay twice as much as other rate-payers. This includes the Catholic at the head of the list, the Right Honourable Lord Molyneux.

The little-known Kirkby Amateur Dramatics Society are represented with a scan from their home-made 1935-36 photo album, chronicling the construction of sets for their plays and the performances themselves. The members have added a charming touch to the album by selecting quotes from the plays they staged to caption the photographs.

As with so many repositories, Knowsley Archives has a significant number of Bastardy Bonds. On display is an order from 1734 identifying one Richard Quick of Halewood as the father of Tarbock resident Ann Wyke’s unborn child and ordering him to pay towards the upbringing of the child.

huyton reel thumbnailAnother less well-known item in our collection we are drawing attention to is a music book handwritten and compiled at some point in the mid-19th century by a surveyor in Huyton called Thomas Watkin. The book is a beautiful document put together with real love and care and provides a fascinating glimpse into the folk tunes that ordinary people living in the area may have been listening and dancing along to.

Whilst only a small display, we hope this temporary exhibition will give visitors a hint of the diversity of our collections and encourage people to come and ask us questions and view some of the original documents.