Test your Knowsley Sports Knowledge!

As part of the Knowsley Sports and Culture Awards, which were held on Friday October 13th, 2017, Knowsley Archives put together a sports quiz based on items from our archive collections. Thanks in particular should go to our super volunteer, Michael, who has been scouring our newspaper cuttings to find interesting sports-themed stories.

Huyton Cricket Club, 1955

We’ll be exploring some of those stories, and looking for people’s memories, memorabilia and experiences, as part of our Heritage Lottery funded sports project. Look our for more information about that project in the local press and on our social media pages – and we’ll be adding another blog here all about the sports project very soon.

In the meantime, follow the link below to have a go at our quiz!

 

Advertisements

Rock The ARK: Capturing Knowsley’s Music Memories

Do you have an interesting story to tell of artists or groups that you’ve seen or heard? Maybe you were in a band, a choir, an orchestra, or remember songs your grandparents used to sing?

If so, the ARK (Archive Resource for Knowsley) wants to know about it!

Your story could be of an artist or group from Knowsley, or from anywhere else, so long as you yourself live or work in Knowsley (or have done in the past).

Classical, pop, rock, jazz, soul, folk, disco, blues, gospel, techno, house, hip-hop – whatever music has been a part of your life, it’s important to the ARK.

The ARK wants to find out what music means to people and build a community collection of memories and memorabilia that traces Knowsley’s music history.

Each of Knowsley’s libraries (Halewood, Huyton, Kirkby, Prescot and Stockbridge Village) has an exhibition with information about artists and groups from Knowsley during the past 100 years or so. Each library in Knowsley focuses on different artists so, if you can, go and visit them all.

In all five of the libraries, you can listen to a selection of songs from Knowsley artists and vote for your favourite – this will create a Knowsley’s Top 10! Don’t worry if you can’t make it to one of our libraries – you can also vote right here using our poll below and see videos of each of the songs to help you choose your favourites.

How about sharing your music memories in writing with us to help us build our music memories archive? There are lots of ways to share your memories with us. You can send any memories to us via email or post (see below). Or, if you prefer, you can also share your stories on ARK’s Facebook and Twitter pages and use #RockTheARK so we can find you! Alternatively, you can leave comments below this blog. Every so often, we’ll be adding some of the best stories to our Rock The ARK music timeline – take a look!

Or maybe you’d be willing to be recorded talking about your music memories and experiences? If so, the ARK would love to hear from you – these recordings will be added to our oral history archive collections and be preserved for future generations!

The ARK is also keen to capture any memorabilia that you might have, and be willing to part with or share a copy of, such as photographs, tickets, flyers, posters etc. Help us create a wonderful resource that will mean people in the future will discover why music was important to you. We’ll add #RockTheARK images to our Flickr page so that they’re all in one place and can be easily viewed.

Rock The ARK is one of the ARK’s community history projects funded by the Heritage Lottery Fund. Everything that is captured during the project will be kept in Knowsley Archives for posterity.

As well as social media, here are the other ways to contact the ARK:

Tel: 0151 443 4365

Email: infoheritage@knowsley.gov.uk

Post: Rock The ARK, Archive Resource for Knowsley, 1st Floor, Kirkby Centre, Norwich Way, Kirkby. L32 8XY

 

 

 

 

 

 

 

 

 

 

Roll Out The Barrell: Discovering the Huyton Cricket Club

Anyone who has been following our Twitter (@knowsleyarchive) posts over the past few months may have been bowled over by a sudden surge of cricket related tweets and images popping up on our timeline. As you may have spotted, the reason for them is because, thanks to our Heritage Lottery funding, I have been cataloguing and digitising the wonderful records of the Huyton Cricket and Bowling Club. Despite having always been stumped by cricket and my Dad failing to hand over his love of the game to me, this is a collection that’s really hit me for six (okay, okay, I promise that will be the last cricket pun).

HCC-1-4-7 team photo

Huyton Cricket Club First XI, c. 1886

Huyton Cricket and Bowling Club was formed at a meeting on 7 May 1860, with their first match taking place just a few weeks later against Bootle Cricket Club and they would go on to become a successful club in the Liverpool and District Cricket Competition (as it would become known). Nicknamed ‘the Villagers’, they were moderately successful at different points in their history, with the early 1920s an especially triumphant period. The club was established as a ‘gentlemen’s’ club and during the majority of its history the membership would have been regarded as of a higher social status than some of the other Huyton cricket clubs, such as the Huyton and Roby Working Men’s Cricket and Bowling Club or Huyton Recs.

The records in the collection include committee minutes, some very colourfully decorated scrapbooks (see slideshow below), photographs from across the history of the club, fixture books, and correspondence. The minutes, particularly from the first eighty or so years of the club, are filled with tantalising glimpses of some of the intriguing characters involved in the club, on and off the field. They also offer fascinating insights into how the club reacted to major events, both close to and far away from Huyton, including the First and Second World Wars. It is during the First World War that we have the first mention of a man who would become a central part of the cricket club’s most successful playing period and remain with the club, in various roles, until his retirement: Ben Barrell.

This slideshow requires JavaScript.

Barrell was signed up as a cricket professional at some point close to the outbreak of the First World War and he is referenced in the committee minutes of June 10th, 1915:

“the secretary mentioned that he had received complaints about the club employing two men of military age. The recruiting sergeant had visited the two men in question and urged them to join. It was decided that Mr. H. Eccles [the Chair] should quietly tell the men it was their duty to join, but that no pressure would be put upon them.”

Barrell was one of those two men and he did indeed soon leave to fight in the war. Both men survived the war and Barrell would return to Huyton Cricket Club. It is easy to see from the club’s committee minutes and crammed scrapbooks of newspaper cuttings that Barrell was a very talented player and an essential part of the club’s greatest successes. He was often the only professional player at the club and was an asset they were proud of. It is rare to find a page in the scrapbooks of the 1920s and 1930s that doesn’t feature a headline or article proclaiming this all-rounder’s name, typically in the matter-of-fact and understated tones of sports journalism in this period: “Barrell Bowls and Bats Well” or “Barrell in Bright Batting Display.”

In photographs, Barrell has remarkable, intense eyes that could suggest he was an intimidating opponent and teammate, but the picture of him created by the records in our collection instead show him to be a popular and well-liked presence both on and off the pitch. According to P.N. Walker’s book The Liverpool Competition, Barrell was made “a life member of the Club, became 1st XI umpire and played bowls there until his death at the age of 80” and was also groundsman and a coach. Alongside these duties and being the club’s professional (and best?) player, Barrell’s other responsibilities included preparing and cleaning the team’s kits and packing their bags before matches.1

HCC-1-4-9 p115 a Barrell crop

Ben Barrell, 1926

Ben Barrell, and other professionals who were signed up by Huyton, may have had relatively humble beginnings, but most of the amateurs who played for the team (at least during its first 100 years or so) were solidly middle or upper-middle class. In many of the photographs we have from the club’s early days and most successful periods, players appear relaxed and confident, with an air of leisurely comfort; a cigarette may be hanging casually between the fingers of one or two, or they lounge at the side of a road on the way to a match, a beautiful motor car in the background. A selection of these photographs are in the slideshow below.

This slideshow requires JavaScript.

When trying to get an idea of Huyton Cricket and Bowling Club at different points in its history, the many scrapbooks in this collection are excellent resources. Alongside the match reports, articles, fixture books, and photographs, there are a number of delightful newspaper caricatures of Huyton’s cricket players: a frequent feature of sports columns in local papers at the time. As well as being amusing to look at, they also offer an insight into which of the players were catching the eyes of the local sports reporters and, presumably, the spectators. Some of the cartoons make use of curious illustrations that may be references that would have made more sense to the readers of that period, or could be references to cricketing terminology that goes over my head! The donkey and teddy bear in the Bootle v Huyton cartoon in the slideshow below, for example, could be references to the players’ performances or something else entirely! And what of the white mice in the Wallasey v Huyton cartoon?

This slideshow requires JavaScript.

The Huyton Cricket and Bowling Club collection is a wonderful and evocative set of documents. At some point during the next year or so, one of our Heritage Lottery funded community projects will be focused on Knowsley’s sporting heritage, so I am sure we will be making use of the collection and hopefully giving people the chance to see more of the treasures within it. To not make use of it when such an opportunity presents itself would be…well, it just wouldn’t be cricket, would it?

1Walker, P.N. 1988. The Liverpool Competition: A Study of the Development of Cricket on Merseyside. Birkenhead: Countyvise Limited, p. 77

Listening to Postcards

As detailed in an earlier blog, one of the collections that is being digitised and catalogued thanks to our Heritage Lottery funding is the personal collection of a family who used to live in Huyton and was deposited by a member of the family who had been born in 1914, shortly before the outbreak of war. Luckily for us, she was an habitual hoarder – keeping correspondence between herself, family members and friends, as well as various other family-related items. Included amongst the family’s business and personal documents are some fantastic postcards sent and received from the First World War through to the Second World War. My earlier post on this collection described how powerful and insightful these are and how they provide a fascinating glimpse into the relationships family members had with each other and their wider friendship and community networks. The combination of image and words that postcards bring together has a wonderful way of evoking voices, allowing us a rare opportunity to listen to the past.

Now that the digitisation and cataloguing of the postcards have been completed, we decided to put up a small display of duplicates, with labels providing interesting contextual information.

girl holding dog postcard 1918

Postcard from 1918 showing a young girl holding a dog

Four of the postcards are part of a chain between a father who was serving in the Royal Flying Corps during the First World War and his young daughter (whose personal collection all of the items in the display come from). As described in an earlier post (‘Postcards from the Past’), the pair used to enjoy trying to outdo each other with cards that made them laugh or they found particularly cute – usually meaning pictures of little girls or sweet animals or, even more ideal, animals and children together!

Also from the First World War period, we have two cards that portray the devastation wrought by battle in Europe. Postcards with images of bombed ruins in France were popular towards the end of the First World War with British soldiers sending word home or to be purchased as a souvenir of the war. The postcard of Peronne we have selected (below, top) is one of several in this collection that was not sent to anyone, but brought back to England as, presumably, a memento. As ever, humorous cards were very popular to send home and our other card of war damage (below, bottom) provides a brilliantly incongruous image of a British soldier taking a nap on a bed amongst the ruins.

the little house postcard 1917

‘The Little House,’ Peronne, 1917

Tommy sleeping in the ruins postcard 1917

‘A Tommy Does A Sleep Amongst the Ruins,’ 1917

The postcards we have selected from the inter-war years reflect the social life of our depositor as she became a young woman who was lucky enough to travel across the country and visit parts of mainland Europe. From 1928, her elder sister, sends a beautiful image of the Blackpool Illuminations back home to her then-teenage sister, a reminder of both the long history of the Illuminations and the popularity of Blackpool as a short break destination for residents of Merseyside and the surrounding areas.

blackpool illuminations front

The Blackpool Illuminations, 1928

Our young woman’s correspondents during the 1930s include a German man who would send her postcards in English, French and German. Amongst these are two postcards of great historical significance. The first (below, top), from April 1938 and written in English with an image of Semmering, Austria, was sent from Vienna, Austria, shortly after Adolf Hitler had annexed the country and paraded triumphantly through the city. The sender uses apostrophes when writing how ‘happy’ his friends are to see Hitler there, possibly indicating that they were exactly the opposite. The second (below, bottom) has an image of the Rheinhotel Dreesen in Bad Godesberg, Germany, and was sent on 22nd September 1938. The German text contains references to Hitler and the British Prime Minister, Neville Chamberlain, as it was written and sent whilst historic meetings were taking place at the hotel between the pair that would, with hindsight, bring the Second World War one step closer.

postcard Semmering Polleroswand 1938

Semmering, Austria, 1938

bad godesberg front

Rheinhotel Dreesen, Bad Godesberg, 1938

The mini-exhibition of postcards can be viewed at Kirkby Library, Mondays, Tuesdays and Fridays: 10am – 5pm; Thursdays and Saturdays: 10am – 1pm. For any more information about the collection or to view the originals, please contact Knowsley Archives.

Christmas Delights!

Christmas trees are being decorated, cards are being sent, and the sales of Baileys are suddenly soaring. Not wanting to be the humbugs hiding in the archive, we’ve decided to put together a small display in Kirkby Library of Christmas related documents from our collections.

christmas robins postcard front

Some uncomfortable looking Christmas robins

Included in the exhibition are four Christmas cards, all from during, or shortly after, the First World War. The earliest of these is a card sent by a man serving in the Royal Flying Corps to his daughter back home in Huyton. The straight-forward monochrome design of the card, featuring an image of fighter planes circling that must have intrigued the young girl when she opened the card, contrasts with a more saccharine image of three robins sent shortly after the end of the war in 1918; although the fact that the robins appear to be stuck within a parcel filled with jagged holly leaves does add a peculiar note to the picture. The third card is one that incorporates a strangely blurred image of a cottage surrounded by a decidedly un-Christmassy summer garden. The nature of the blurring is reminiscent of 3D pictures, but could be the result of some kind of production error. Either way, a father at some point, probably in the 1920s, selected the card to send to one of his children. The fourth card is a Christmas message sent from the Huyton Vicarage in 1949 with the “heartiest” greetings from the Rev. W.H. Lewis and his wife and would probably have been received by many Huyton residents at the time.

Huyton’s Parish Magazine was keen to share some household tips with its female readers in 1959. Alongside recipes (Chunky Cake, anyone?) on the page we have scanned for display, readers could also learn how to remove soot fall from carpets (presumably after Father Christmas had dropped down a tight chimney); solve the “problem” of toddler’s shoe laces; and discover how to stop pans boiling over (smear the top edges with butter apparently*). There were also some “Christmas Specials;” and if you’ve ever wanted to add “glamour” to your Christmas parcels then you need to read this!**

cross typed xmas message crop

A high-tech Christmas message from Cross International

The offices and factory of Cross International in Kirkby were very keen on Christmas in the 1970s and our exhibition features three documents telling the story of their Christmas celebrations in 1971. As well as a photograph showing the children of staff members working their way through mountains of cake and wearing novelty hats at a party, we’ve offered a taste of what their parents were up to with the menu for their impressive looking Christmas Dinner Dance (if anyone’s ever had Cranberry Peach Boats, we’d love to know more). Cross International were a cutting edge company and they knew how to show off to colleagues and fellow companies across the globe. Why send a boring old Christmas card (that was so 1960s) when you can send a state of the art message where the very letters of the words are made up entirely of the word ‘Cross’? It’s a wonderful document that hints at the excitement that new, rapidly-evolving electronic technology offered, as well as the confidence of an international business.

School logbooks can make fascinating reading, providing a revealing insight into the daily troubles, successes and challenges of school life. For this Christmas themed exhibition, we’ve included copies of two pages from the logbook of Whiston County Infants School. The first is from the Christmas period of 1938-39 and, as well as notes on the impact of snow fall (“attendance 52%”) in the New Year, it records that children were sent home for the Christmas break with milk vouchers. The second page, from 1953-54, features, alongside an alarming number of staff illnesses, an entry regarding the Christmas party to which, we can all be reassured to know, “Father Christmas arrived in good time.” Knowing Santa’s usual method of arrival, we’ll have to hope that school staff were already aware of how to remove soot fall from carpets, as it would be another few years before the Huyton magazine published that gem.

The exhibition will remain up at Kirkby Library until at least the 8th of January 2016. The library’s opening hours are Monday, Tuesday, Friday: 10am-5pm; Thursday and Saturday: 10am-1pm. The library is closed all day on Wednesdays. During the Christmas period, the Library is closed from the 23rd December 2015 until the 4th January 2016, with the exception of Tuesday 29th December, when it is open as normal.

*If someone gets the chance to test this, please report back with results!

**For those of you too far away to visit Kirkby, its all to do with ribbons saved from chocolate boxes…

Postcards from the Past

Collections of correspondence can be a fascinating source of historical information and provide a wealth of cultural and social context. They can reveal forgotten friendships, romances and feuds; or offer the evidence needed to piece together a family’s history or business dealings. For me, this sense of a family’s world pulling into focus is made all the sharper when much of the correspondence is conducted via greetings cards and postcards.

park rd huyton image

Many of the postcards capture Huyton as our correspondent would have known it growing up, such as this one of Park Road.

Here in Knowsley Archives, we have a collection of personal documents, currently being digitised thanks to Heritage Lottery funding, that belonged to a woman brought up in Huyton. Born in 1914, just as the small community (as it was then) of Huyton and the wider world was about to be forcibly and irrevocably changed by the First World War, she grew up during the inter-war years and was able to travel extensively across Europe during the mid to late 1930s, making friends in the different nations she visited and then keeping in touch with postcards written in French, German and English. We also know from correspondence that she became actively involved with the Liverpool Women Police Patrols. In 1939, of course, her life was again dramatically affected by war. This time, her younger brother joined up and was killed in 1944. The surviving correspondence allows us to see the warm, gently teasing relationship the siblings had and the terrible devastation wrought by her brother’s death upon herself, her family and their friends in Huyton.

Clearly, the information detailed above survives because of the written word, but it is often given extra meaning and can offer further levels of understanding when the correspondence has been conducted using postcards and greeting cards. The writing itself can tell us about the correspondent’s state of mind; we may wonder why some would write so much, often resorting to filling every available space on the back of a postcard, and others would keep their note to a brief, sometimes terse couple of lines. During the Tommy sleeping in the ruins postcard 1917First World War, our young girl’s father (who was serving in the Royal Flying Corps) would send very brief postcards to his wife, often with the message “letter to follow,” but much more detailed postcards to his young daughter, telling her his reaction to news she (or her mother) had passed on and how much he looked forward to seeing her again soon. There is a marked difference in the types of images used to illustrate the cards he sends to his wife and his daughter. For his wife, he often selects postcards that portray the ravages of the war upon Europe: bomb-damaged streets and buildings torn apart. Occasionally these may have a hint of humour to them, such as the card shown above that captures a Tommy resting on a bed amongst the ruins.

The postcards and greeting cards the father would send to his daughter are often chosen
because he hopes she will find them pretty. Towards the end of the war, we can gather
that they were exchanging cards that made them smile; each trying to outdo the other with cuter or more farcical images. We are very lucky that cards written by both the father and the daughter have survived to be part of this collection, so we can wonder if the “comical” card her father expresses surprise at receiving is the one of the girl dressing in front of her dog below. When he sends the card showing the girl floating in the tub he suggests that his daughter is more mischievous than the girl in the illustration and would pull the fish’s tail.

dog and little girl postcard c 1918

The caption reads: “Donald, you should look the other way when a lady’s dressin’!”

'any subtureens mr fish' postcard 1919

The caption reads “Any Subtureens Mr. Fish?”

 

 

 

 

 

 

 

 

 

 

Following the First World War (which her father survived), our correspondent enters into correspondence with people from across Europe. In particular, we have a number of postcards sent to her by a German man. These are interesting documents as pieces of correspondence (made all the more intriguing by the fact that we have no postcards from him following the outbreak of war, so do not know what happened to their relationship), and also offer a visual representation of the pre-Second World War Germany. It is a shame that we are not able to see the postcards that she was sending to Germany – what image of Britain did they present, I wonder?

postcard Bernkastel 1939

Postcard from Bernkastel-Kues, Germany, 1939

postcard from Goppingen 1937

Postcard from Goppingen, Germany, 1937

Unfortunately, our collection of correspondence peters out after the Second World War. Other family documents are included in the collection, but there is a special power to these postcards and greeting cards that give us a tantalising glimpse into the life of one family during the first of the twentieth century. A card that may have been selected randomly or with great care can be so much more than a simple exchange of words; it can help to present a far more detailed picture of the world these people lived in and the way that they, and others, perceived it.

Name That Tune…

In our last post, I mentioned Thomas Watkin’s music book. This 19th century manuscript contains hundreds of folk tunes, providing most with a title and writing out, in beautiful, clear script the music for each. Thanks to our Heritage Lottery funding, the whole manuscript has now been digitised and we’re very HMB crop_tunesexcited about the prospect of working with local musicians to bring the music to life at some point in 2016. Of course, if we’re going to perform a selection of the tunes, it would be useful to know which tunes are available to choose from. At some point in the manuscript’s life, one scribe has at least started to make the effort to index the contents. It could be that they only got so far before giving up on the task or that there are several pages missing from the book, but, either way, we now only have a two page index listing 69 of the tunes. Exactly how many tunes are in the manuscript is not yet known, but given that those 69 tunes only cover 16 of the document’s 152 pages, there is still a long way to go to complete the index!

HMB crop_indexOne of the tasks some of our fantastic volunteers will be getting on with is completing the index of tunes. However, this isn’t always such a straightforward undertaking, as the titles are written in a few different hands and how decipherable they are varies
massively. Add to this the fact that the ink has faded in some places and this is no simple transcription!

The legibility of the handwriting might not be the only thing that will slow our progress completing the index. Some of the language used in the titles can be surprisingly, erm, ‘choice’ to our modern sensibilities! Folk tune titles featuring swear-words is actually fairly common, but it can still be a little startling to be calmly transcribing a 19th century music book that contains titles such as “Pretty Betty” or “Love in a Village” and come HMB crop_tuneacross a four letter word that can still cause considerable offence if it is used in the media today. Perhaps the language used in the titles acts a clue to the kinds of environments and audiences many of the tunes were intended for. Then again, maybe we underestimate how common swearing was in the past or how the level of offence caused by certain words may have altered at different points in our history. Whatever the case, there’s definitely a lot more in these pages than some nice tunes…

And no, it doesn’t matter how hard you look, the pictures on this blog do not include the folk tunes with risque titles!